This essay explores the systematic presence of adaptations from foreign novels, particularly French and English ones in nineteenth-century Italian opera. It also examines how, after promoting the maturation of an authentically romantic poetics, this presence systematically keeps intersecting the aesthetical and ethical question of realism as a device designed to take charge of the present world and its urgencies.
Il romanzo all’opera: narrativa straniera e melodramma italiano d’Ottocento, 2024.
Il romanzo all’opera: narrativa straniera e melodramma italiano d’Ottocento
Fabio Vittorini
2024-01-01
Abstract
This essay explores the systematic presence of adaptations from foreign novels, particularly French and English ones in nineteenth-century Italian opera. It also examines how, after promoting the maturation of an authentically romantic poetics, this presence systematically keeps intersecting the aesthetical and ethical question of realism as a device designed to take charge of the present world and its urgencies.
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