CINECA IRIS Institutional Research Information System
IRIS è la soluzione IT che facilita la raccolta e la gestione dei dati relativi alle attività e ai prodotti della ricerca. Fornisce a ricercatori, amministratori e valutatori gli strumenti per monitorare i risultati della ricerca, aumentarne la visibilità e allocare in modo efficace le risorse disponibili.
EnglishThe first part of the article examines the contemporary trend of the dematerialization of music in the multimedia spectacle, and in particular, thanks to the technological instruments, how this leads to conjunction with digital, and especially abstract, video. Various types of multimedia musical work are classified, in decreasing order of materiality/corporeality: from the traditional opera, regularly provided with all its normal material components, as well as the new dematerialized component, to new kinds of audiovisual works which instead are totally dematerialized. The second part of the article examines the countertrend of rematerialization and recorporealization of the musical multimedia spectacle. Other types of work are classified in which matter and the body, directly or indirectly and sometimes even metaphorically, regain centrality, despite the digital management and elaboration of the musical and video material.
Towards a typology of materiality/corporeality of music in the digital multimedia regime, 2014.
| Autori: | Lombardi Vallauri, Stefano |
| Data di pubblicazione: | 2014 |
| Titolo: | Towards a typology of materiality/corporeality of music in the digital multimedia regime |
| Nome del convegno: | A Matter of Design: making Society through Science and Technology: 5th STS Italia Conference 2014 |
| Numero del convegno: | 5 |
| Luogo del convegno: | Milano |
| Anno del convegno: | 2014 |
| Sezione: | contributo |
| Rilevanza: | internazionale |
| Nazione editore: | Italy |
| Editore: | STS Italia Publishing |
| Titolo del libro: | A Matter of Design. Making Society through Science and Technology. Proceedings of the 5th STS Italia Conference 2014 |
| Tutti i curatori: | Coletta, Claudio; Colombo, Sara; Magaudda, Paolo; Mattozzi, Alvise; Parolin, Laura Lucia; Rampino, Lucia |
| eISBN:: | 9789078146056 |
| Pagina iniziale: | 635 |
| Pagina finale: | 645 |
| Numero di pagine: | 11 |
| Revisione (peer review): | esperti anonimi |
| Lingua: | English |
| Settore Scientifico Disciplinare: | Settore L-ART/07 - Musicologia e Storia della Musica |
| Keywords: | transcoding; fraying of the boundaries; composition; abstract video; post-digital; gesture |
| Abstract: | The first part of the article examines the contemporary trend of the dematerialization of music in the multimedia spectacle, and in particular, thanks to the technological instruments, how this leads to conjunction with digital, and especially abstract, video. Various types of multimedia musical work are classified, in decreasing order of materiality/corporeality: from the traditional opera, regularly provided with all its normal material components, as well as the new dematerialized component, to new kinds of audiovisual works which instead are totally dematerialized. The second part of the article examines the countertrend of rematerialization and recorporealization of the musical multimedia spectacle. Other types of work are classified in which matter and the body, directly or indirectly and sometimes even metaphorically, regain centrality, despite the digital management and elaboration of the musical and video material. |
| Numero degli autori: | 1 |
| Supporto: | Online |
| Appare nelle tipologie: | 4.01 Contributo in atti di convegno (pubblicato) |
File in questo prodotto:
http://hdl.handle.net/10808/11264
Copyright © 2020