Critical review of E. Sasso’s analysis focused on the Barthesian modality of “distorting repetition” as accomplished by A. Lord Tennyson, A.C. Swinburne, G. Gissing and W.B. Yeats starting from various works of the Victorian writer William Morris.

Recensione critica dello studio di E. Sasso focalizzato sulla prospettiva barthesiana della “distorting repetition” di vari testi dell’autore vittoriano William Morris da parte di A. Lord Tennyson, A.C. Swinburne, G. Gissing e W.B. Yeats.

Recensione di Elena Sasso, How the Writings of William Morris Shaped the Literary Style of Tennyson, Swinburne, Gissing, and Yeats. Barthesian Re-writings Based on the Pleasure of Distorting Repetition._ Lewiston-Queenston-Lempeter: The Edwin Mellen Press., 2011, 2013.

Recensione di Elena Sasso, How the Writings of William Morris Shaped the Literary Style of Tennyson, Swinburne, Gissing, and Yeats. Barthesian Re-writings Based on the Pleasure of Distorting Repetition._ Lewiston-Queenston-Lempeter: The Edwin Mellen Press., 2011

Casella, Stefano Maria
2013-01-01

Abstract

Critical review of E. Sasso’s analysis focused on the Barthesian modality of “distorting repetition” as accomplished by A. Lord Tennyson, A.C. Swinburne, G. Gissing and W.B. Yeats starting from various works of the Victorian writer William Morris.
Italiano
2013
2013
Guerini
24
48
253
257
5
Italy
nazionale
comitato scientifico
A stampa
Settore L-LIN/11 - Lingue e Letterature Anglo-Americane
1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10808/9629
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