Il Dividuale all’opera. Deleuze al cinema e in musica.

The paper presents the notion of Dividual in Deleuze, considered as an entity which cannot be analysed in parts or composed with other entities without a qualitative change. Both the individual and the dividual are the result of processes of individuation, the object of which are, respectively, an integral unity and a partitive totality. Individuation is aimed to equip these entities of an identity, a space, a temporal coordinate and an affect. A comparison with Greimas points to a connection between enunciation and semiotics. Furthermore, the relations between the expression and the content plane in a semiotic system are dividual. In fact, the two planes are not independent, and their relation can be enunciated through a metasemiotics, of which they form the plane of immanence. Further research lines include a rethinking of western notion of substance in the perspective of the reversal of Platonism.