Florence’s La Specola Museum stirs up strong emotions. Among its collections, the valuable anatomical wax models created between the end of 17th and the beginning of 18th century stand out owing to their marvellous and provocative nature. The aim of this essay is to analyse the communication models epitomised by some of these works by means of historical semiotics, to nourish the widespread, but often underestimated assumption that science and the means used to spread it have always been influenced by intellectual suppositions and constantly interact with contemporary culture.

The rotten, the disembowelled woman, the skinned man: Body images from Eighteenth century Florentine wax modelling, 2005.

The rotten, the disembowelled woman, the skinned man: Body images from Eighteenth century Florentine wax modelling

GALLAI F
2005-01-01

Abstract

Florence’s La Specola Museum stirs up strong emotions. Among its collections, the valuable anatomical wax models created between the end of 17th and the beginning of 18th century stand out owing to their marvellous and provocative nature. The aim of this essay is to analyse the communication models epitomised by some of these works by means of historical semiotics, to nourish the widespread, but often underestimated assumption that science and the means used to spread it have always been influenced by intellectual suppositions and constantly interact with contemporary culture.
I putridi, la sventrata, lo scuoiato. Immagini del corpo nella ceroplastica fiorentina del XVIII secolo
Italiano
Francesco Paolo de Ceglia
Inglese
2005
https://jcom.sissa.it/article/153/galley/213/download/
Scuola Internazionale Superiore di Studi Avanzati, Trieste
4
3
Italy
nazionale
nessuno
A stampa
Settore ANGL-01/C - Lingua, traduzione e linguistica inglese
1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10808/59451
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