The SUQ Festival has been recognized by the European Union as one of the best practices for the dialogue between the local and foreign communities of the city delle. It is a people's bazaar unmatched in Italy. According to the definition of Ball, we may say that the SUQ Festival achieves a concrete form of social unification by means of a performative dimension. Thus, in the present article, I will examine the spontaneous origin of the SUQ Festival and its development in the form of a performative and theatrical practice aimed at establishing new modes of existence and new action models in the context in which it takes place. I will focus on the strategies that the festival has adopted for the social multicultural inclusion and for the artistic transformation of the area in the last twenty years by explicitly following thekey principle of Bourriaud's relational aesthetics: namely, the slippage of the creative attention from the production of objects to the formation of a community.themselves into the contemporary Corsican society.
Il SUQ Festival, riconosciuto come best practiceper il dialogo tra le diverse comunità stranieri e locali presenti in città dalla Commissione Europea, è un bazar dei popoli unico in Italia, interstizio sociale in cui attraverso la dimensione performativa si concretizza la costruzione civile e l’unificazione sociale. Si analizzerà l’origine spontanea del festival genovese –specchio del multiculturalismo quotidiano contemporaneo –la sua evoluzione come pratica performativa e teatrale atta a costituire modi d’esistenza e modelli d’azione, all’interno della realtà in cui ha luogo. Si presenteranno gli strumenti d’inclusione sociale utilizzati in un’ottica interculturale e di urbanizzazione artistica del territorio e i risultati raggiunti nel ventennio di attività partecipative, svolte seguendo la principale linea di cambiamento dichiarata nell’estetica relazionale di Bourriaud: lo slittamento dell’attenzione creativa dalla produzione di oggetti alla formazione di comunità.
Il teatro del mondo. Per un'estetica relazionale: SUQ Festival, 2020-07.
Il teatro del mondo. Per un'estetica relazionale: SUQ Festival
FUOCO, ESTER
2020-07-01
Abstract
The SUQ Festival has been recognized by the European Union as one of the best practices for the dialogue between the local and foreign communities of the city delle. It is a people's bazaar unmatched in Italy. According to the definition of Ball, we may say that the SUQ Festival achieves a concrete form of social unification by means of a performative dimension. Thus, in the present article, I will examine the spontaneous origin of the SUQ Festival and its development in the form of a performative and theatrical practice aimed at establishing new modes of existence and new action models in the context in which it takes place. I will focus on the strategies that the festival has adopted for the social multicultural inclusion and for the artistic transformation of the area in the last twenty years by explicitly following thekey principle of Bourriaud's relational aesthetics: namely, the slippage of the creative attention from the production of objects to the formation of a community.themselves into the contemporary Corsican society.File | Dimensione | Formato | |
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