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EnglishSonia Bergamasco’s adaptation of L’Homme semence by Violette Ailhaud makes use of a single actor reciting, even if, in a staging that emphasises plurimediality, it is not possible to define L'uomosemeas a real monologue. The analysis will take into account first the structure of the story, the strains that the plot imposes on the fabula and the effects it has on its global meaning; the linguistic marks that oppose the choral speech to the individual discourse, and the mentions referring to a culture anchored in a territory in a precise moment of history, which are superimposed on a speech that touches on the universal.
Comment la scène italienne s’est appropriée L’Homme semence: stratégies d’adaptation d’un prétendu manuscrit, 2019.
| Autori: | Brignoli, Laura |
| Data di pubblicazione: | 2019 |
| Titolo: | Comment la scène italienne s’est appropriée L’Homme semence: stratégies d’adaptation d’un prétendu manuscrit |
| Rivista: | |
| Nazione editore: | Italy |
| Editore: | Università degli studi di Milano |
| Volume: | 17 |
| Pagina iniziale: | 25 |
| Pagina finale: | 37 |
| Numero di pagine: | 13 |
| Revisione (peer review): | comitato scientifico |
| Rilevanza: | internazionale |
| Lingua: | French |
| URL: | https://riviste.unimi.it/index.php/itinera/issue/view/1426/showToc |
| Digital Object Identifier (DOI): | http://dx.doi.org/10.13130/2039-9251/12054 |
| Settore Scientifico Disciplinare: | Settore L-LIN/03 - Letteratura Francese |
| ???metadata.dc.subject.keywordsfre???: | Violette Ailhaud, L'homme semence, adaptation, théâtre |
| Abstract: | Sonia Bergamasco’s adaptation of L’Homme semence by Violette Ailhaud makes use of a single actor reciting, even if, in a staging that emphasises plurimediality, it is not possible to define L'uomosemeas a real monologue. The analysis will take into account first the structure of the story, the strains that the plot imposes on the fabula and the effects it has on its global meaning; the linguistic marks that oppose the choral speech to the individual discourse, and the mentions referring to a culture anchored in a territory in a precise moment of history, which are superimposed on a speech that touches on the universal. |
| Numero degli autori: | 1 |
| Supporto: | Online |
| Appare nelle tipologie: | 1.01 Articolo in rivista |
File in questo prodotto:
| File | Descrizione | Tipologia | Licenza | |
|---|---|---|---|---|
| homme semence 1.pdf | Documento in Post-print | Open Access Visualizza/Apri |
http://hdl.handle.net/10808/30443
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