CINECA IRIS Institutional Research Information System
IRIS è la soluzione IT che facilita la raccolta e la gestione dei dati relativi alle attività e ai prodotti della ricerca. Fornisce a ricercatori, amministratori e valutatori gli strumenti per monitorare i risultati della ricerca, aumentarne la visibilità e allocare in modo efficace le risorse disponibili.
EnglishIn 18.Oktober 1977 – a cycle of fifteen paintings about the German Autumn and the Baader-Meinhof Gang – Gerhard Richter deals with the trauma of terrorism confronting himself with the crystallized memory of the “crime scene” – specifically, the photos of the dead bodies in Stammheim taken by the police and then published in Stern – that he recomposes, giving us back an experience of blurred, vague, enigmatic vision, therefore forcing us to look in a different way and to search for what is hiding from our sight. The work of Richter is a gesture of rewriting archival images that thus becomes an act of redemption. He opposes to the obscene visibility of the death showed in the photographs of the police – exhibited as proofs of guilt or exploited to satisfy a desire of revenge – the spectral vision of an elementary truth: death, even in the exceptional form of terroristic violence, represents a mysterious and utter horizon that no political gesture can recompose. It is exactly in the death, experienced as a common but unspeakable fate, that Richter finds the humanity of the terrorists, helping us to approach the comprehension of trauma
“Wir wollen uns mit den Bildern unseres Landes befassen”: Documents, Fetishes, Icons, Relics: the Reconstruction of the German Autumn as an Image, 2015-11.
| Autori: | FARINOTTI, LUISELLA | |
| Data di pubblicazione: | nov-2015 | |
| Titolo: | “Wir wollen uns mit den Bildern unseres Landes befassen”: Documents, Fetishes, Icons, Relics: the Reconstruction of the German Autumn as an Image | |
| Rivista: | ||
| Nazione editore: | Italy | |
| Editore: | Mimesis International | |
| Volume: | 15 | |
| Fascicolo: | 24 | |
| Pagina iniziale: | 63 | |
| Pagina finale: | 77 | |
| Numero di pagine: | 15 | |
| Revisione (peer review): | esperti anonimi | |
| Rilevanza: | internazionale | |
| Lingua: | English | |
| URL: | http://cinemaetcie.net/about/ | |
| Settore Scientifico Disciplinare: | Settore L-ART/06 - Cinema, Fotografia e Televisione | |
| Abstract: | In 18.Oktober 1977 – a cycle of fifteen paintings about the German Autumn and the Baader-Meinhof Gang – Gerhard Richter deals with the trauma of terrorism confronting himself with the crystallized memory of the “crime scene” – specifically, the photos of the dead bodies in Stammheim taken by the police and then published in Stern – that he recomposes, giving us back an experience of blurred, vague, enigmatic vision, therefore forcing us to look in a different way and to search for what is hiding from our sight. The work of Richter is a gesture of rewriting archival images that thus becomes an act of redemption. He opposes to the obscene visibility of the death showed in the photographs of the police – exhibited as proofs of guilt or exploited to satisfy a desire of revenge – the spectral vision of an elementary truth: death, even in the exceptional form of terroristic violence, represents a mysterious and utter horizon that no political gesture can recompose. It is exactly in the death, experienced as a common but unspeakable fate, that Richter finds the humanity of the terrorists, helping us to approach the comprehension of trauma | |
| Numero degli autori: | 1 | |
| Supporto: | A stampa | |
| Appare nelle tipologie: | 1.01 Articolo in rivista |
File in questo prodotto:
| File | Descrizione | Tipologia | Licenza | |
|---|---|---|---|---|
| FarinottiC&C.pdf | Saggio completo | N/A | Administrator |
Copyright © 2021