| Nome |
# |
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T.S. Eliot, the shaman who dressed like a banker, file dd257433-d910-c9a9-e053-6605fe0a2f53
|
328
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ChantSong pour Mont Ségur, file dd257433-a2d7-c9a9-e053-6605fe0a2f53
|
325
|
|
R 'n' R, file dd257433-8fda-c9a9-e053-6605fe0a2f53
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142
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|
"Wallace Stevens, TUTTE LE POESIE, a cura e con saggio introduttivo di Massimo Bacigalupo. Mondadori, I Meridiani, Milano, 2015", file dd257433-ea3d-c9a9-e053-6605fe0a2f53
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140
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|
Eliot and Dante in Florence, file dd257433-897d-c9a9-e053-6605fe0a2f53
|
135
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|
Alba. Heimkunft. Smontando la libreria. Evoè! Evoè!. Studio giallo, file dd257433-a7cd-c9a9-e053-6605fe0a2f53
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106
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‘ “…[R]restoring, With a New Verse the Ancient Rhyme”: T. S. Eliot’s and Ezra Pound’s Poetic Homages to Dante: “Little Gidding” II and Canto 72', file dd257433-ac8a-c9a9-e053-6605fe0a2f53
|
70
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|
Alba. Heimkunft. Smontando la libreria. Evoè! Evoè!. Studio giallo, file dd257433-a51c-c9a9-e053-6605fe0a2f53
|
56
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|
Ez & Ez: Ezra Pound and Cunizza da Romano: Fragments of an Unfinished Epic Poem, file dd257433-8a5b-c9a9-e053-6605fe0a2f53
|
45
|
|
ChantSong pour Mont Ségur, file dd257433-a2da-c9a9-e053-6605fe0a2f53
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45
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|
ChantSong pour Mont Ségur, file dd257433-a2d9-c9a9-e053-6605fe0a2f53
|
41
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|
Alba. Heimkunft. Smontando la libreria. Evoè! Evoè!. Studio giallo, file dd257433-a51d-c9a9-e053-6605fe0a2f53
|
39
|
|
ChantSong pour Mont Ségur, file dd257433-a51f-c9a9-e053-6605fe0a2f53
|
31
|
|
Alba. Heimkunft. Smontando la libreria. Evoè! Evoè!. Studio giallo, file dd257433-a51e-c9a9-e053-6605fe0a2f53
|
30
|
|
ChantSong pour Mont Ségur, file dd257433-a2d8-c9a9-e053-6605fe0a2f53
|
24
|
|
“Ez, Franz & Ninì: Pound and the Monottis in Rome 1935-2000”., file dd257433-be0c-c9a9-e053-6605fe0a2f53
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24
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|
Alba. Heimkunft. Smontando la libreria. Evoè! Evoè!. Studio giallo, file dd257433-a7ce-c9a9-e053-6605fe0a2f53
|
23
|
|
'Empty Silences'. T. S. Eliot and Eugenio Montale, file dd257433-9212-c9a9-e053-6605fe0a2f53
|
22
|
|
Orientamenti, file dd257433-92e6-c9a9-e053-6605fe0a2f53
|
21
|
|
"Ser Guido of Florence, Master of Us All". Guido Cavalcanti e Dante Alighieri nella critica e nella poesia di Ezra Pound, file dd257433-9377-c9a9-e053-6605fe0a2f53
|
21
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|
Il medico si curva sulla piaga: anatomia della colpa, omeopatia della salvezza, file dd257433-9324-c9a9-e053-6605fe0a2f53
|
19
|
|
Roots and Rings: Under the Shade of Richard Berengarten's 'Tree', file dd257433-a2c7-c9a9-e053-6605fe0a2f53
|
14
|
|
Recensione a: Maria Mazzotti Gillan, "Talismans-Talismani", Firenze, Ibiskos Ulivieri, 2006, file dd257433-8909-c9a9-e053-6605fe0a2f53
|
13
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Il Popolo di Alessandria, file dd257433-92de-c9a9-e053-6605fe0a2f53
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13
|
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Making Italian New: Pound’s Italian Between Dante and Propaganda, file dd257433-8a00-c9a9-e053-6605fe0a2f53
|
9
|
|
Carta da Visita, file dd257433-920a-c9a9-e053-6605fe0a2f53
|
8
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|
History is now, and England. XXVthe Annual meeting - The T. S. Eliot Society - London, 5-11 June 2004, file dd257433-931f-c9a9-e053-6605fe0a2f53
|
8
|
|
'By the Arena ... Il Decaduto': Eliot &/in Italy, file dd257433-89fc-c9a9-e053-6605fe0a2f53
|
7
|
|
"Io son quell'Ezzelino..." Ezra Pound ed Ezzelino da Romano tra storia, leggenda, epos e tragedia, file dd257433-9208-c9a9-e053-6605fe0a2f53
|
5
|
|
"Maneos, Pietros, The Italian Pleasures of Gabriele Paterkallos. A Novella in Letters_ (U.S.A.-s.l.: The Aesthete Press, 2012)", file dd257433-aeee-c9a9-e053-6605fe0a2f53
|
5
|
|
Recensione di Elena Sasso, How the Writings of William Morris Shaped the Literary Style of Tennyson, Swinburne, Gissing, and Yeats. Barthesian Re-writings Based on the Pleasure of Distorting Repetition._ Lewiston-Queenston-Lempeter: The Edwin Mellen Press., 2011, file dd257433-be13-c9a9-e053-6605fe0a2f53
|
5
|
|
Eugenio Montale, "The Poor Nestorian at a Loss", file dd257433-d90d-c9a9-e053-6605fe0a2f53
|
5
|
|
"UMBRAE: incontri e abbracci.", file 0fb6129c-e94e-4423-b0e1-b4c8c600cb98
|
4
|
|
Recensione a: Ezra Pound, 30. Cantos, a cura di Massimo Bacigalupo (Parma, Guanda, 2012), file dd257433-d90c-c9a9-e053-6605fe0a2f53
|
4
|
|
"La Mystère, la Beauté, et la Mystique de la Nature": the poetics of wonder in Henry Beston’s The outermost house, file dd257434-5525-c9a9-e053-6605fe0a2f53
|
4
|
|
‘“Where all the waters meet”: Seas Lakes Rivers in T. S. Eliot’s Poetry.’, file 3b0549e5-2e0b-48b7-9a29-b359c7157bc2
|
3
|
|
“Big Bang o Altro”: about the Beginning and the End in Eugenio Montale’s Poetry.’, file 712cfdc6-6328-4b40-ac71-42eda25aaf0d
|
3
|
|
In Venice and in the Veneto with Ezra Pound, file dd257433-89a6-c9a9-e053-6605fe0a2f53
|
3
|
|
Meridiano di Roma, file dd257433-920e-c9a9-e053-6605fe0a2f53
|
3
|
|
Il Mare, Supplemento Letterario, file dd257433-92e9-c9a9-e053-6605fe0a2f53
|
3
|
|
La Foresta di Croft, file dd257434-4229-c9a9-e053-6605fe0a2f53
|
3
|
|
“Wraiths of Memories . . .” Henry Beston’s Cape Cod in/and the American Tradition’, file 6d91e415-55cd-450e-9e7b-308e98b9bfad
|
2
|
|
L' immaginario iniziatico e mistico nei "Four Quartets" di T.S. Eliot, file dd257433-8a56-c9a9-e053-6605fe0a2f53
|
2
|
|
'Empty Silences': T. S. Eliot and Eugenio Montale, file dd257433-8b1c-c9a9-e053-6605fe0a2f53
|
2
|
|
Roots and Rings: Under the Shade of Richard Berengarten's 'Tree', file dd257433-a2c5-c9a9-e053-6605fe0a2f53
|
2
|
|
Italian Musical Culture in Nineteenth-Century America, file dd257434-43a3-c9a9-e053-6605fe0a2f53
|
2
|
|
“The Ash-Tree as ‘unwobbling pivot’ in Pound’s Early and Late Poetry”, file dd257434-7c23-c9a9-e053-6605fe0a2f53
|
2
|
|
BLAST: the Cosmogonic Vortex between Imagism & Modernism, file dd257434-4afd-c9a9-e053-6605fe0a2f53
|
1
|
|
Lo sciamano e lo ierofante: T.S. Eliot ed Ezra Pound alle radici rituali della poesia, file dd257434-4aff-c9a9-e053-6605fe0a2f53
|
1
|
|
‘Peace with the Earth is the First Peace’. Henry Beston, Nature, the Earth, and Economy, file dd257434-5bdb-c9a9-e053-6605fe0a2f53
|
1
|
|
“‘On my solitary dune’. The Outermost House di Henry Beston: solitudine e spiritualità dell’Oceano”, file dd257434-5bdf-c9a9-e053-6605fe0a2f53
|
1
|
|
By no means an orderly Dantescan rising: Ezra Pounds Anmerkungen zu Dante Alighieri, file dd257434-742c-c9a9-e053-6605fe0a2f53
|
1
|
|
‘Le Testament de Villon’ & ‘Cavalcanti’, Ezra Pound’s “dramedies”: opera, theatre, radio-drama and TV show”, file dd257434-7b31-c9a9-e053-6605fe0a2f53
|
1
|
|
_Unburial_ by Marc Alan Di Martino, file dd257434-7c21-c9a9-e053-6605fe0a2f53
|
1
|
|
"Footfalls echo in the memory": literal travelling and metaphorical journeying in T.S. Eliot’s Four quartets, file dd257434-7f2a-c9a9-e053-6605fe0a2f53
|
1
|
|
Facesti come quei che va di notte, che porta il lume dietro e sé non giova, ma dopo sé fa le persone dotte (Purg. 22, 67-69), file dd257434-7f2c-c9a9-e053-6605fe0a2f53
|
1
|
|
“’De la loro schiera’: Ezra Pound e T.S. Eliot, critici e poeti, su Dante”., file dd257434-7f2e-c9a9-e053-6605fe0a2f53
|
1
|
|
Ancora su Prufrock e Arsenio. A proposito di _T.S. Eliot, Eugenio Montale e la modernità dantesca_ di Ernesto Livorni. (Firenze, Le Lettere, 2020)", file dd257434-819c-c9a9-e053-6605fe0a2f53
|
1
|
|
Consider / Carefully the reviewer…, file dd257434-83db-c9a9-e053-6605fe0a2f53
|
1
|
| Totale |
1.833 |